Chi Peng is a 25-year-old artist who uses digital technology to fix his naked image against landmark buildings in Beijing.
Miao Xiaochun’s photography weaves in stylistic and technical innovations to create panoramas of Chinese landscapes.
And Feng Mengbo mixes digital media with symbols from communist China.
While Shanghai artist Ji Wenyu and his wife, Zhu Weibin, fashion what they call “soft sculptures” out of textiles.
Are they the dark horses of Chinese contemporary art – or do China’s new media artists constitute mere artistic posturing?