Girlfriend in a Coma Newly Added

  • Product code : A257-04
  • Category(ies) : Economy +, Europe +
  • Level(s) : Post-Sec. (18 +) +
  • Duration : 52 min.
  • Production year : 2013
  • Director(s) : Annalisa Piras
  • Producer(s) : Springshot Productions


It has shaken conventional media, has had its Italian premiere banned amid huge controversy, has provoked anger and tears among two million Italian viewers, it has been discussed in more than 50 independently organized debates around the world, and has opened the public’s eyes to the full nature of Italy’s political, economic and above all moral malaise.

Directed by Italian film-maker Annalisa Piras and narrated by former Economist chief editor Bill Emmott, the ailments of Italy are laid bare in Girlfriend in a Coma with clarity, creativity and humour—never seen before.

Those ailments, of corruption, political dysfunction, economic stagnation, declining rule of law and above all a failure of moral courage, are ailments shared increasingly by all western countries. Girlfriend in a Coma acts as a warning and a wake-up call, for all of us.

The film has been updated to take account of the criminal conviction in August 2013 of its three-time prime minister, Silvio “Bunga-Bunga” Berlusconi for tax fraud, and of the changes in Rome both of prime ministers and of popes. As recent events have shown, the waves from Italy’s political struggles are being felt all over Europe, and those of Europe all over the world.

What reviewers have said about Girlfriend in a Coma:
" An intelligent, imaginatively presented documentary" - Philip French, film critic, The Observer

" Brilliantly illustrates the true tragedy of Italy" - The Sunday Times

" A very beautiful and cruel documentary" - Le Monde

" A standing ovation for two old media journalists — one Italian, the other English – who have unzipped their imaginations to create a model of transmedia fence-jumping, using digital tools to communicate subtler and more penetrating information than can be transmitted through either conventional opinion journalism or documentary film-making."  -